Note: Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite was first published in Trafic, no. 70/2009 and is reprinted in Harun Farocki: Against What? Against Whom?, edited by Antje Ehmann and Kodwo Eshun. Harun Farocki’s Respi…
Note: Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite was first published in Trafic, no. 70/2009 and is reprinted in Harun Farocki: Against What? Against Whom?, edited by Antje Ehmann and Kodwo Eshun. Harun Farocki’s Respi…
Note: Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite was first published in Trafic, no. 70/2009 and is reprinted in Harun Farocki: Against What? Against Whom?, edited by Antje Ehmann and Kodwo Eshun. Harun Farocki’s Respi…
In Split Screen: Belgian Cinema and Cultural Identity, author Philip Mosley makes a salient and illuminating re-evaluation of a bifurcated Belgian cinema, not only through the reality of a federal state characterized by a decentralized gove…
In Split Screen: Belgian Cinema and Cultural Identity, author Philip Mosley makes a salient and illuminating re-evaluation of a bifurcated Belgian cinema, not only through the reality of a federal state characterized by a decentralized gove…
In Split Screen: Belgian Cinema and Cultural Identity, author Philip Mosley makes a salient and illuminating re-evaluation of a bifurcated Belgian cinema, not only through the reality of a federal state characterized by a decentralized gove…
I am interested in the relationship of the lower part of the human body and the lower part of the social structure. Shohei Imamura is a compilation of reflexive, analytical, and appreciative essays on Imamura’s idiosyncratic and critical, y…
Russian Critics on the Cinema of Glasnost, edited by Michael Brashinsky and Andrew Horton, is a book in two parts: the first, Films in a Shifting Landscape, is a series of essays analyzing the historical and cultural legacy that shaped thre…
Published as an updated version of the compilation Cinema and I – a repository of essays, ancillary working notes, talking scripts, and interviews by Bengali filmmaker Ritwik Ghatak – Rows and Rows of Fences – Ritwik Ghatak on Cinema is an
Reframing Japanese Cinema provides a comprehensive and varied perspective on Japanese cinema through a series of essays on a director’s signature style (authorship), culturally representative film genres, and historical evolution of the Jap…
Composed of three sections, Historical Recuperation, Sexual Reinscription, and Marketing Transfiguration: Money/Politics/Regionalism, Refiguring Spain: Cinema/Media/Representation is a collection of essays that examine the ways in which Spa…
Eleven years since the publication of Poetics of Cinema, Raúl Ruiz continues his articulate, erudite, and insightful rumination in Poetics of Cinema 2, a lithe and infectious, yet densely referential, cross-pollinated exposition on the art