Tracey Emin — Pessoa

elpais.com·há 11 dias

Las amistades creativas

El amigo es, en cierto modo, otro yo capaz de corregirnos por nuestro bien

theguardian.com·há cerca de 2 meses

The Guardian view on Frida Kahlo the icon: a thin line between canonisation and commercialisation | Editorial

The Mexican artist’s legacy is far greater than the kitsch. She is a much-loved symbol of rebellion and resilienceEven before it opened this week, Tate Modern’s Frida: The Making of an Icon was a smas

theguardian.com·há 3 meses

‘This is mine, I own it’: how Tracey Emin and Frida Kahlo inspired me to make meaning out of pain

Emin’s unsparing examination of her cancer and Kahlo’s intensely imagined response to traumatic injury moved our writer to take self-portraits while recovering from a serious operationIn a photographi

theguardian.com·há 4 meses

‘Tracey Emin said they’re all about death’: Johnnie Shand Kydd on his dog-walk photographs – and capturing the hard-partying YBAs

He shot the YBAs boozing, canoodling – and shaking up the art scene. Now the photographer has found inspiration in some other unruly characters: his lurchers. We join him for walkies in rural Suffolk‘

hyperallergic.com·há 5 meses

Tracey Emin’s Cult of the Self

The YBA artist spearheaded contemporary art's trend of coupling extreme self-introspection with relentless self-promotion.

www.theguardian.com·há 6 meses

The Guardian view on an explosion of solo exhibitions by women: move over old masters | Editorial

From a landmark Tracey Emin show at Tate Modern to the first female painter in the Royal Academy’s main space, the art world is finally catching up“Do women have to be naked to get into the Met Museum

www.theguardian.com·há 6 meses

Tracey Emin’s lust for life, gaudy Egyptian treasure and Don McCullin hits 90 – the week in art

Emin reminds us of the deep power of art, Ramses II parades his megalomaniac gold and Rose Wylie’s witty paintings finally get their due – all in your weekly dispatchTracey Emin: A Second LifeThe most

www.theguardian.com·há 6 meses

Tracey Emin: A Second Life review – this show of undiluted love, heartache and pain left me a teary wreck

Tate Modern, LondonForget the sex and drugs of the 90s. This wildly emotional exhibition shows that Emin’s life’s work has been turning suffering into sculpture, insults into poetry – and agony into a