Magazine for contemporary art
“Several Eternities” feels overly careful and unable to combust as fully as it could have.
His fractured portraits at the National Public Housing Museum reckon with memory, family, and a childhood shaped by Chicago’s Robert Taylor Homes.
Alan Michelson's public art installation “The Oyster” on Governors Island conjures up the overlooked history of Indigenous shell middens.
An exhibition makes a case for the sensuality of these marble sculptures, recreating the perfumes and balms that once adorned them.
There’s a work of art at the Henry Art Gallery I can’t stop thinking about. It’s a sheet of plastic—thick, construction-grade—suspended from the ceiling with all the pomp of a medieval tapestry hangin
In the video art pioneer's first US exhibition, water’s changing states become a metaphor for the city.
Rembrandt pioneered the saleable self, but unlike his rival, Gerard Van Honthorst, failed to reconcile his personal vision with the market.
An exhibition posits that the sect happened upon the ideals of modern design, overlooking the contradictions and vitality of its culture.
