I agree, this film, and the 1947 'Possessed,' contain her best performances. She uses the totality of her instrument here, eyes, voice, body (note how she suggests intoxication by just how she walks).
I agree, this film, and the 1947 'Possessed,' contain her best performances. She uses the totality of her instrument here, eyes, voice, body (note how she suggests intoxication by just how she walks).