Proms 2026 — Entidade

theguardian.com·há 1 dia

‘You’ll be sorry you told me this!’: the 98-year-old composer who gets musicians – even bassoonists - on their feet

Scotland’s Thea Musgrave is still writing radical music with perambulatory soloists and a message of hopefulness. Her latest work, for bassoonist Amy Harman, comes to the Proms this weekendThea Musgra

www.theguardian.com·há 2 dias

BBCNOW/Bancroft review – McGill is a stylish soloist in Kahane’s likable clarinet concerto

Royal Albert Hall, LondonWith Stravinsky and Copland also on the programme, this was a lively if uneven concertIn their different ways, both Stravinsky and Copland turned to the vernacular to lend aut

www.theguardian.com·há 3 dias

Swedish Chamber Orchestra/Fröst review – dance, dynamism and a wild rumpus as maverick clarinettist-conductor takes charge

Royal Albert Hall, LondonThe ferociously dynamic SCO help Fröst drill down to the rhythmic essence of Beethoven’s Seventh Symphony as well as works by contemporary composersIt’s a Sunday morning, and

www.theguardian.com·há 9 dias

Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually

Royal Albert Hall, LondonEsa-Pekka Salonen led an orchestra of players from London’s Royal Academy of Music and New York’s Juilliard School through 20th-century classics with Vilde Frang the electrify

theguardian.com·há 10 dias

Joby Talbot’s Path of Miracles / György Kurtág’s Kafka Fragments review – Bristol Proms reach for the heavenly

Tenebrae, Nigel Short / Anu Komsi and Sakari OramoSt George’s Bristol / Bristol BeaconSunday afternoon’s two concerts, closing the Proms’ Bristol weekend, brought the superlative Tenebrae, and Sakari

theguardian.com·há 11 dias

National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing

Royal Albert Hall, LondonThunderous timpani, stereo harps, a supersized horn section and 160 teenagers combined for Berlioz’s Symphonie fantastique, Adès’s Dante and a Liszt waltzThree big pieces on t

theguardian.com·há 11 dias

BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater

Royal Albert Hall, LondonNil Venditti’s animated account of Rossini’s choral work embraced its lyricism and theatricality – paired on the bill with the Proms debut of Respighi’s Church WindowsCheered

www.theguardian.com·há 13 dias

Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince

Royal Albert Hall, LondonThere’s a new narration delivered by Tamsin Greig and the crack forces of the Monteverdi Choir, the ORR and world-class singers, all led by Mark Elder, but the 200-year-old p