Iranian New Wave — Entidade

notesoncinematograph.blogspot.com·há 2 meses

Notes On Cinematograph

Jazz 625: Music Giants on the Small Screen An illustrated talk by Ehsan Khoshbakht at Close-Up Cinema on July 20 Its title alludes to the new 625-line broadcasting technology, which provided higher

notesoncinematograph.blogspot.com·há 2 meses

Blur-ray Release of Treasures from the Golestan Film Studio

For the first-time ever on home video, this collection presents the complete output of the iconoclastic independent Iranian film studio founded in the late 1950s by a towering figure of Iranian cultur

notesoncinematograph.blogspot.com·há 2 meses

Newspaper ad for Secrets of the Jinn Valley Treasure (1974)

Newspaper advertisement for the second theatrical run of Ebrahim Golestan’s Secrets of the Jinn Valley Treasure (1974), which opened on 27 June 1978. (The film’s original release was on 10 December 19

notesoncinematograph.blogspot.com·há 8 meses

Notes On Cinematograph

My Guardian obituary on the late, great Bahram Beyzaie can be read here. One of the guiding lights of Iranian modernist cinema since 1969, and an equally invaluable force in theater, literature, and

notesoncinematograph.blogspot.com·há 8 meses

Notes On Cinematograph

My Guardian obituary on the late, great Bahram Beyzaie can be read here. One of the guiding lights of Iranian modernist cinema since 1969, and an equally invaluable force in theater, literature, and

notesoncinematograph.blogspot.com·há 8 meses

Notes On Cinematograph

My Guardian obituary on the late, great Bahram Beyzaie can be read here. One of the guiding lights of Iranian modernist cinema since 1969, and an equally invaluable force in theater, literature, and

notesoncinematograph.blogspot.com·há quase 2 anos

Notes On Cinematograph

Extended intro by Ehsan Khoshbakht A Christmas thriller with a murderous twist in which a theatre star with amnesia believes himself to be a serial killer. Part of Projecting the Archive (A BFI Sout

notesoncinematograph.blogspot.com·há quase 2 anos

Notes On Cinematograph

A daydreamer of a girl (Mary Apick) sees a man standing under her window day and night. Thinking that he must be in love with her, she gets into an imaginary conversation with the man (in a fine use o