Cinematography

cinephiliabeyond.org·há 21 dias

Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’ at 20

By Tim Pelan Michael Mann’s 2006 big screen revamp of 1980s groundbreaking TV show Miami Vice (Brandon […] The post Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’ at 20 appeared first

framebyframe.rhetorica.net·há 3 meses

What I See Through a Viewfinder

I began my career as a newspaper photojournalist working first as an intern during the summers while in college in the mid to late 1970s. My newspaper career was short-lived following graduation — jus

framebyframe.rhetorica.net·há 3 meses

Here is the Os Marnotos Official Trailer

I have finished Os Marnotos 🙂 This is the official trailer for Os Marnotos. The film examines the working lives of a family — three generations — that works one of “marinhas” on the estuary in Averio,

thewrap.com·há 5 meses

Autumn Durald Arkapaw Breaks Down Her History-Making Oscar Nomination for ‘Sinners’

"Young girls will look up this nomination and see that film and will associate all the people that made it," the "Sinners" DP said The post Autumn Durald Arkapaw Breaks Down Her History-Making Oscar N

framebyframe.rhetorica.net·há 8 meses

How Does Malick Look? – Frame by Frame

In the previous installment of this series I asked what happens when you run the well-worn narrative framework of sequence filming through the decisive moment a

framebyframe.rhetorica.net·há 8 meses

videography – Frame by Frame

In the previous installment of this series I asked what happens when you run the well-worn narrative framework of sequence filming through the decisive moment and the dogma of Terrence Malick? I still

framebyframe.rhetorica.net·há 8 meses

direct cinema – Frame by Frame

In the previous installment of this series I asked what happens when you run the well-worn narrative framework of sequence filming through the decisive moment and the dogma of Terrence Malick? I still

framebyframe.rhetorica.net·há 8 meses

cinematography – Frame by Frame

In the previous installment of this series I asked what happens when you run the well-worn narrative framework of sequence filming through the decisive moment and the dogma of Terrence Malick? I still

Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’ at 20

What I See Through a Viewfinder

Here is the Os Marnotos Official Trailer

Autumn Durald Arkapaw Breaks Down Her History-Making Oscar Nomination for &#8216;Sinners&#8217;

How Does Malick Look? – Frame by Frame

videography – Frame by Frame

direct cinema – Frame by Frame

cinematography – Frame by Frame

Autumn Durald Arkapaw Breaks Down Her History-Making Oscar Nomination for ‘Sinners’