Aleksandr Sokurov

apaladewalsh.com·há 26 dias

De “Obsession” a “Backrooms”: estamos (des)ligados

Três walshianos – Carlos Natálio, Ricardo Vieira Lisboa e Luís Mendonça – trocam obsessivamente correspondência cinéfila no sentido de deslindar dois dos enigmas mais falados do cinema contemporâneo:

cinentransit.com·há mais de 3 anos

¿Cómo filmamos a lxs campesinxs? – Transit: cine y otros desvíos

¿Hay experiencias en el mundo de hoy que serían traicionadas o tergiversadas por las formas de literatura tal y como las conocemos? Filmar, sobre todo en el campo, implica en general devastarlo todo,

filmref.com·há mais de 8 anos

Strictly Film School[Archives from 10/97-3/11]

Note: Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite was first published in Trafic, no. 70/2009 and is reprinted in Harun Farocki: Against What? Against Whom?, edited by Antje Ehman

filmref.com·há mais de 8 anos

Category: Directors

Note: Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite was first published in Trafic, no. 70/2009 and is reprinted in Harun Farocki: Against What? Against Whom?, edited by Antje Ehman

filmref.com·há mais de 8 anos

Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite by Sylvie Lindeperg

Note: Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite was first published in Trafic, no. 70/2009 and is reprinted in Harun Farocki: Against What? Against Whom?, edited by Antje Ehman

filmref.com·há mais de 8 anos

Category: Film Related Reading

In Split Screen: Belgian Cinema and Cultural Identity, author Philip Mosley makes a salient and illuminating re-evaluation of a bifurcated Belgian cinema, not only through the reality of a federal sta

filmref.com·há mais de 8 anos

Category: National Cinema

In Split Screen: Belgian Cinema and Cultural Identity, author Philip Mosley makes a salient and illuminating re-evaluation of a bifurcated Belgian cinema, not only through the reality of a federal sta

filmref.com·há mais de 8 anos

Split Screen: Belgian Cinema and Cultural Identity by Philip Mosley

In Split Screen: Belgian Cinema and Cultural Identity, author Philip Mosley makes a salient and illuminating re-evaluation of a bifurcated Belgian cinema, not only through the reality of a federal sta

De &#8220;Obsession&#8221; a &#8220;Backrooms&#8221;: estamos (des)ligados

¿Cómo filmamos a lxs campesinxs? – Transit: cine y otros desvíos

Strictly Film School[Archives from 10/97-3/11]

Category: Directors

Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite by Sylvie Lindeperg

Category: Film Related Reading

Category: National Cinema

Split Screen: Belgian Cinema and Cultural Identity by Philip Mosley

De “Obsession” a “Backrooms”: estamos (des)ligados